Label TextBasking Provincetown, Mass depicts an unidentified couple in an intimate embrace taken
on the beach in Provincetown, Massachusetts, a haven for the queer community since
the mid-twentieth century. The couple’s identities are obscured by the inversion of light
and shadow, and the green tinge of their skin contrasts with the magentas and yellows of
the beach scrub brush behind them. For her signature “cross-colour” process, Flash shot
on slide film, which creates images that are much brighter and more saturated than can
be produced with color negative film. She then used negative paper to print their images.
“The colors were so vibrant,” recalls Flash. “All hues were reversed. Blues became reds
and white, black.”
After moving to New York in the late 1980s, Flash began to connect her photographic
process with their work as an activist. She began to view their use of the cross-colour
technique as a political statement that could subvert racial associations with the terms
“dark” or “light,” as the skin tones of their subjects were inverted and became
unrecognizable through this printing process. She was a member of ACT UP (AIDS
Coalition to Unleash Power) and appeared in one of the famous advertisements for the
artist activist collective Gran Fury’s “Kissing Doesn’t Kill: Greed and Indifferent Do”
campaign with her then-girlfriend, Julie Tolentino. She was also a member of the artist
group Art+Positive, established by queer artists to combat the art world’s homophobia.
“Among all the sadness around AIDS,” Flash states, “there’s so much joy in the community
that has held me.”
DimensionsOverall: 20 x 24 in. (50.8 x 61 cm)
Accession Number 2025.126
Classificationsprint
ProvenanceArtist (Jenkins Johnson Gallery); Des Moines Art Center [purchased from the previous, 2025]
Alec Soth
2002, printed 2004