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Label TextA late work by Malick Sidibé, Vue de Dos (Back View) is part of a series of portraits depicting women with their backs to the camera that the photographer began in 2001. Rather than focusing on facial expressions, the work invites the viewer to consider body language, clothing, and posture as signifiers of identity. By photographing his sitters from behind, Sidibé raises questions about how we define individuals based on their personal presentation. His sitters reject the gaze of the camera and present a counterpoint to the western tradition of the nude female figure. In this wryly humorous image, the woman wears a shirt advertising the website of Seydou Keïta, a contemporary of Sidibé and his competitor in the city of Bamako. 

Sidibé made his name as a street photographer, recording the people of Bamako as Mali transformed from a French colony to an independent nation. A fixture of the city’s nightlife, the photographer roamed the streets, documenting dancing and celebration within the quickly modernizing city. In 1958, he founded Studio Malick on a side street in the Bagadadji neighborhood of Bamako. Sidibé’s studio was a place to see and be seen, open at night and into the early morning hours. The women in the Vues de Dos portraits are models commissioned by the photographer, a change from early in the artist’s career, when his photographs were impromptu moments captured outside of the studio.

DimensionsSheet: 19 3/4 x 15 1/2 in. (50.2 x 39.4 cm)
Image: 13 1/4 x 13 1/4 in. (33.7 x 33.7 cm)
Accession Number 2025.36
Classificationsphotograph
Vue de Dos
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
Malick Sidibé
1967-2004
Photo Credit: Rich Sanders, Des Moines
Eugène Delacroix
1833