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Label Text Although Smithson is best known as being one of the forefathers of the Earth art movement, he was friends with many of the major Minimalists, and showed with them early in his career, from which Terminal dates. Terminal employs Minimalism’s sharp geometric forms and industrial medium. However, unlike Judd’s regular repetition of a basic form, or LeWitt’s reconfiguration of shapes according to mathematics, Smithson’s work incorporates progression. Fascinated by the concept of entropy, in which all order tends toward disorder, Smithson’s shapes gradually decrease (or increase) in size, suggesting both infinite growth and reduction.
Exhibition History"Critics Choice" Detroit Institute of Arts, March - June 1967

"Robert Smithson," Dwan Gallery, New York, Nov. 29, 1966 - Jan. 5, 1967
Published References"Robert Smithson" exhibition catalogue, The Museum of Contemporary Art, Los Angeles, University of California Press, 2004, ref. pgs. 124 (color image), 267

Robert Carleton Hobbs, "Robert Smithson: Sculpture," Cornell University Press, Ithica, 1981, ill. p. 73, 78.
DimensionsOverall: 52 1/2 × 62 1/2 × 40 in., 86 lb. (133.4 × 158.8 × 101.6 cm, 39 kg.)
Accession Number 1985.26
Classificationssculpture
CopyrightARS
ProvenanceArtist; (Dwan Gallery, New York); Virginia Dwan, New York [acquired from the previous]; Des Moines Art Center [gift of the previous, 1985]
Terminal
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
Jaume Plensa
2007
Photo Credit: Rich Sanders, Des Moines
Michelangelo Pistoletto
1965
Photo Credit: Rich Sanders, Des Moines
Tony Smith
1961, fabricated 1989
Photo Credit: © Cameron Campbell 2009
Tony Smith
1962, fabricated 2005
Photo Credit: Rich Sanders, Des Moines
Mark di Suvero
1987
Photo Credit: Rich Sanders, Des Moines
Rirkrit Tiravanija
1996
Photo Credit: Rich Sanders, Des Moines
Ellsworth Kelly
1994
Photo Credit: Rich Sanders, Des Moines
Olafur Eliasson
2006
Photo Credit: Rich Sanders, Des Moines
Bruce Nauman
1990
Photo Credit: Rich Sanders, Des Moines
Donald Judd
1976-1977