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Label Text The subject of an artist working from a model has been a fairly common one in Western art for several hundred years;... . Bellows has depicted the subject in a realistic manner which was characteristic of his style and which was frequently considered vulgar by some critics during the early part of the century. The lithograph represnts Robert Henri's life class in New York City. Source: Bulletin, November-December 1970.
Exhibition History"George Bellows: Lithographs," Minnesota Museum of Art, Saint Paul, Nov. 7- Dec. 27, 1982, brochure checklist no. 13 (exhibition was organized to commemorate the centennial of the artist's birth) - circulated to:~Spencer Museum of Art, University of Kansas, Lawrence, Jan. 17 - Feb. 27, 1983;~Madison Art Center, Wisconsin, Mar. 21- Apr.22,1983;~Terra Museum of American Art, Evanston, Illinois, May 16 - June 17, 1983

"Realist Vision, Realist Tradition: Fifty Years of American Prints, 1990-1950," Des Moines Art Center, Des Moines, IA

"From Body to Being: Reflections on the Human Image," Des Moines Art Center, Des Moines, IA

"MCM - Y2K: A CENTURY OF ART ON PAPER," Des Moines Art Center, Des Moines, Iowa
Published ReferencesGEORGE BELLOWS- HIS LITHOGRAPHS, pub. Alfred A. Knopf, Inc., New York and London, ref. p. 258, illus. p. 193 (The Henry night class in the Old school at the Northeast corner of Fifty-seventh & Sixth Avenue, New York)

THE LITHOGRAPHS OF GEORGE BELLOWS by Lauris Mason, pub. by K-TO Press, Millwood, N.Y., repro. p. 84

DES MOINES ART CENTER BULLETIN, Nov.- Dec. 1970, repro.
DimensionsSheet: 20 1/8 × 25 3/4 in. (51.1 × 65.4 cm)
Image: 13 3/4 × 19 1/4 in. (34.9 × 48.9 cm)
Accession Number 1970.8
Classificationsprint
CopyrightPublic Domain
SignedGeo Bellows (l,r graphite- artist's wife initials below signiture)
InscriptionsNo.1 (l,l graphite)
Catalogue raisonnéBellows-Beer 193 Mason 43
Editionedition of 49
The Life Class
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines