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Label Text This untitled work illustrates Tom Friedman’s signature method of art making—obsessive, laborious, and humorous. Friedman uses ordinary materials, such as toothpaste, toilet paper, Styrofoam, toothpicks, and Lifesavers, and manipulates them to produce objects that are beautiful yet conceptually complex. Friedman created this sculpture by projecting images from popular advertising on heavy paper, tracing the image with black ink, cutting out the ink line, and then suspending the object from the ceiling. The resulting screen activates space, creating astonishing illusions of depth.
Exhibition History"Tom Friedman", Museum of Contemproary Art, Chicago IL; Yerba Buena Center for the Arts, San Francisco; Aspen Art Museum, Aspen; The New Museum of Contemporary Art, New York; Southeastern Center for Contemporary Art, Winston-Salem
Published References"Tom Friedman", Gagosian Gallery, Yale University Press, 2008, color ill. pgs. 112-113
DimensionsOverall: 30 × 39 × 1/8 in. (76.2 × 99.1 × 0.3 cm)
Accession Number 2000.4
Classificationssculpture
ProvenanceArtist; (Feature Inc., New York); Des Moines Art Center [purchased from the previous, 2000]

Images (2)

Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines

Audio (1)

Audio Transcript

Tom Friedman (American, born 1965)
untitled, 2000

Run Time: 1:42
Recorded by Jeff Fleming, Director / 2008

This is Tom Friedman's work. It's untitled, from 2000. It is a piece of paper. And the process is that he drew on the paper and then he cut out the white, leaving only the lines of the drawing. This is very, very typical of Tom Friedman's work. His work is very, very obsessive, it’s very, very laborious. And in fact he said that this piece is probably the most laborious piece that he's ever created.

So this piece of paper is suspended from the ceiling and it gives a feeling that this is a three-dimensional object. And if you stand back from it, it has the impression that it's three or four inches thick. And you don't even know what the material is and these images of figures and faces pop out of the drawing. You can see tiny faces and if you look back you can see larger faces. You can see an ear in the upper left, you can see a face in the center toward the right. There are numbers, there are stars, there are other things that pop out.

In his other works he uses a wide variety of materials, most of them commonplace, most of them very ordinary—from making a painting on the wall with toothpaste, or making a sculpture out of toothpicks, or making a sculpture out of Lifesavers©. He's even used toilet paper in his work, where he's rerolled—perfectly—a roll of toilet paper. So it becomes this amazing object. He's used bubble gum. What's so wonderful about his work is the fact that it is so laborious, it is so obsessively ridiculous. There's a great deal of humor in his work. But in this particular piece there's a great deal of magic.

untitled
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
Photo Credit: Rich Sanders, Des Moines
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Photo Credit: Rich Sanders, Des Moines
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1971
Photo Credit: Rich Sanders, Des Moines
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1984
Photo Credit: Rich Sanders, Des Moines
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2002
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2002
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1970-1971
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1975-1979
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1993